{"id":14,"date":"2014-07-18T21:11:14","date_gmt":"2014-07-18T21:11:14","guid":{"rendered":"https:\/\/lizvandal.com\/wp\/?page_id=14"},"modified":"2025-12-12T20:57:26","modified_gmt":"2025-12-12T20:57:26","slug":"biographie","status":"publish","type":"page","link":"https:\/\/lizvandal.com\/fr\/biographie\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"
\n

Liz Vandal, Fondatrice et conceptrice<\/h1>\n

Liz Vandal d\u00e9bute comme cr\u00e9atrice de mode autodidacte et se distingue par une approche o\u00f9 la rigueur du design rencontre la po\u00e9sie du mouvement. Elle collabore avec Marie Chouinard, Margie Gillis, l\u2019Op\u00e9ra de Paris, le Ballet de Hong Kong et les Grands Ballets Canadiens.<\/p>\n

Sp\u00e9cialiste des costumes pour mouvements extr\u00eames, elle signe des cr\u00e9ations phares pour le Cirque du Soleil (OVO, Viaggio, Sonor, Cosmos, Excentick). Elle con\u00e7oit plus de 3 000 costumes pour la c\u00e9r\u00e9monie de cl\u00f4ture des Jeux europ\u00e9ens de Bakou (2015) et cr\u00e9e les costumes d\u2019ouverture des Jeux mondiaux universitaires de Lake Placid.<\/p>\n

Laur\u00e9ate aux Hong Kong Dance Awards et nomm\u00e9e aux Benois de la Danse, son travail s\u2019\u00e9tend du ballet au cin\u00e9ma et \u00e0 la musique \u2014 notamment The Wizard of Oz, Alice et la tourn\u00e9e Black \u2019n Blue des Backstreet Boys.<\/p>\n

\u00c9ducatrice et conf\u00e9renci\u00e8re, Liz anime des ateliers de cr\u00e9ation (design, innovation, travail d\u2019\u00e9quipe) aupr\u00e8s d\u2019\u00e9coles, d\u2019institutions et d\u2019entreprises, transmettant une culture du geste, de l\u2019audace et de l\u2019excellence.<\/p>\n

En 2026, elle signe les costumes d\u2019\u00c9vang\u00e9line (Qu\u00e9becor), poursuivant une trajectoire alliant vision, innovation et mouvement.<\/p>\n<\/div>\n

\n

\"Liz
Credit: St\u00e9phane Caron<\/a><\/figcaption><\/figure><\/p>\n
\n

Architecte pour le corps en mouvement extr\u00eame, ses costumes atteignent le but ultime de l\u2019\u00e9quilibre entre l\u2019esth\u00e9tique et la technique. Ils sont aussi beaux que fonctionnels.<\/h2>\n<\/blockquote>\n<\/div><\/span>\n
\n

Liste des r\u00e9alisations<\/h1>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

DANSE<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Back Street Boys<\/td>\nTourn\u00e9e mondiale Black & Blue<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
LaLaLa Human Steps<\/td>\nNouvelle Cr\u00e9ation<\/em> (\u00c9douard Lock)<\/td>\n<\/tr>\n
 <\/td>\nAmjad<\/em><\/td>\n<\/tr>\n
 <\/td>\nAm\u00e9lia<\/em><\/td>\n<\/tr>\n
 <\/td>\nExauc\u00e9\/Salt<\/em><\/td>\n<\/tr>\n
 <\/td>\n2<\/em><\/td>\n<\/tr>\n
 <\/td>\nInfante, C’est destroy<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Flak<\/td>\nS<\/em> (Jose Navas)<\/td>\n<\/tr>\n
 <\/td>\nAnatomies<\/em><\/td>\n<\/tr>\n
 <\/td>\nAdela me amor<\/em><\/td>\n<\/tr>\n
 <\/td>\nPerfume de Gardenias<\/em><\/td>\n<\/tr>\n
 <\/td>\nSonata and\u2026<\/em><\/td>\n<\/tr>\n
 <\/td>\nAbstraction<\/em><\/td>\n<\/tr>\n
 <\/td>\nOne night only<\/em><\/td>\n<\/tr>\n
 <\/td>\nBosquejo<\/em><\/td>\n<\/tr>\n
 <\/td>\nLuna Llena<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Marie Chouinard<\/td>\nGymonp\u00e9dies<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe Nombre d’Or Live<\/em><\/td>\n<\/tr>\n
 <\/td>\nOrph\u00e9e et Eurydce<\/em><\/td>\n<\/tr>\n
 <\/td>\nbOdy_rEMIX_Goldberg<\/em><\/td>\n<\/tr>\n
 <\/td>\nChorale<\/em><\/td>\n<\/tr>\n
 <\/td>\n\u00c9tude no.1<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe cri du Monde<\/em><\/td>\n<\/tr>\n
 <\/td>\nDes feux dans la nuit<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe Sacre du Printemps<\/em><\/td>\n<\/tr>\n
 <\/td>\nLes 24 Pr\u00e9ludes de Chopin<\/em><\/td>\n<\/tr>\n
 <\/td>\nLes Solos 1978-1998<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Margie Gillis<\/td>\nThread \u2013 Filliature<\/em><\/td>\n<\/tr>\n
 <\/td>\nM Body 7<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
O’Vertigo<\/td>\n\u00c9tude#3 Pour Cordes et Poulies<\/em> (Ginette Laurin)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Hong Kong Ballet<\/td>\nAlice in Wonderland<\/em> (Septime Webre)<\/td>\n<\/tr>\n
 <\/td>\nPeter Pan<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Royal Winnipeg Ballet<\/td>\nHandmaid’s Tale<\/em> (Lila York)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Kansas City Ballet<\/td>\nWizard of OZ<\/em> (Septime Webre)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Les Grands Ballets Canadiens de Montr\u00e9al<\/td>\n\u00c9tude<\/em> (\u00c9douard Lock)<\/td>\n<\/tr>\n
 <\/td>\nSlow Smoke<\/em> (Kevin O’Day)<\/td>\n<\/tr>\n
 <\/td>\nChez La Duchesse<\/em> (Septime Webber)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Les Ballets Jazz de Montr\u00e9al<\/td>\nCircle Song<\/em> (Sean Hounsel)<\/td>\n<\/tr>\n
 <\/td>\nEntre-Deux<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
National Ballet of Canada<\/td>\nOne hundred words for snow<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Alberta Ballet<\/td>\nSans d\u00e9tour<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\nSuite Dreams<\/em> (Vladimir Angelov)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Ballet British Colombia<\/td>\nA way inside<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\nPetrushka<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Aspen Ballet<\/td>\nSans D\u00e9tour<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
American Repertory Ballet<\/td>\nA part between parts<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Washington Ballet<\/td>\nSleepy Hollow<\/em> (Septime Webre)<\/td>\n<\/tr>\n
 <\/td>\nAlice in Wonderland<\/em><\/td>\n<\/tr>\n
 <\/td>\nOui\/Non<\/em><\/td>\n<\/tr>\n
 <\/td>\nJourney home <\/em><\/td>\n<\/tr>\n
 <\/td>\nCarmen<\/em><\/td>\n<\/tr>\n
 <\/td>\nJuanita y Alicia<\/em><\/td>\n<\/tr>\n
 <\/td>\nCarmina Burana<\/em><\/td>\n<\/tr>\n
 <\/td>\nRite of Spring<\/em> (Trey McIntyre)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Memphis Ballet<\/td>\nDracula<\/em> (Hazel Sabbath-Gower)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Montr\u00e9al-Danse<\/td>\nLe ciel br\u00fblant des heures<\/em> (Jos\u00e9 Navas)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Kynesis Danse Society<\/td>\nIn the blink of an eye<\/em> (Paras Terezakys)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Sinha Danse<\/td>\nLoha<\/em> (Roger Sinha)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Op\u00e9ra de Paris<\/td>\nAndr\u00e9Auria<\/em> (\u00c9douard Lock)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Nationaltheater Mannhein<\/td>\nWeather<\/em> (Kevin O’Day)<\/td>\n<\/tr>\n
 <\/td>\nMenschen wir Bumen nur Blumen<\/em><\/td>\n<\/tr>\n
 <\/td>\nMetamorphosen<\/em><\/td>\n<\/tr>\n
 <\/td>\nTanz Ton Strom Ton Tanz<\/em><\/td>\n<\/tr>\n
 <\/td>\nGoldberg Variationen<\/em><\/td>\n<\/tr>\n
 <\/td>\nBlumen<\/em><\/td>\n<\/tr>\n
 <\/td>\n8 Gedichte f\u00fcr Matilda Wesendonk<\/em><\/td>\n<\/tr>\n
 <\/td>\nEine Stunde Zehn<\/em><\/td>\n<\/tr>\n
 <\/td>\nBrandenburg Concertos<\/em><\/td>\n<\/tr>\n
 <\/td>\nTopographicalayers<\/em><\/td>\n<\/tr>\n
 <\/td>\nGoldberg Variations<\/em><\/td>\n<\/tr>\n
 <\/td>\nCollective Sonatas<\/em> (Dominique Dumais)<\/td>\n<\/tr>\n
 <\/td>\nPetrushka<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Stuttgart Ballet<\/td>\nIgor Poems<\/em> (Kevin O\u2019Day)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Funda\u00e7ao Calouste Gulbenkian<\/td>\nLe Sacre du Printemps<\/em> (Marie Chouinard)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
G\u00f6teborgs Operan<\/td>\nbOdy_rEMIX_Goldberg<\/em> (Marie Chouinard)<\/td>\n<\/tr>\n
 <\/td>\nLe Sacre du Printemps<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Les Ballets de Monte-Carlo<\/td>\nbOdy_rEMIX_Goldberg<\/em> (Marie Chouinard)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Sao Paulo Companhia de Dan\u00e7a<\/td>\nThe Seasons<\/em> (\u00c9douard Lock)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Arizona Ballet<\/td>\nMoving Movies<\/em> (Nayon Iovino)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Dominique Dumais<\/td>\nThe imprint of water<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Dominique Porte<\/td>\nHORS-JE<\/em><\/td>\n<\/tr>\n
 <\/td>\nD\u00e9vation<\/em><\/td>\n<\/tr>\n
 <\/td>\nSept gouttes et des poussi\u00e8res<\/em><\/td>\n<\/tr>\n
 <\/td>\nExit<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Bill Coleman<\/td>\nBanff Project<\/em><\/td>\n<\/tr>\n
 <\/td>\nGros Morne Project Terre Neuve<\/em><\/td>\n<\/tr>\n
 <\/td>\nThe Near Room<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Nancy Leduc<\/td>\nSeule sur un pouf<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Benjamin Hatcher<\/td>\nRazzia<\/em> (Festival du Monde arabe)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
\u00c9cole Sup\u00e9rieure de Ballet du Qu\u00e9bec<\/td>\nSeascape<\/em><\/td>\n<\/tr>\n
 <\/td>\nLa bo\u00eete \u00e0 joujoux<\/em> (\u00c9v\u00e8nement OSM de Montr\u00e9al)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

 .<\/span><\/span> <\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

CIRQUE<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Cirque du Soleil<\/td>\nOVO<\/em><\/td>\n<\/tr>\n
 <\/td>\nViaggio<\/em><\/td>\n<\/tr>\n
 <\/td>\nSonor<\/em><\/td>\n<\/tr>\n
 <\/td>\nCosmos<\/em><\/td>\n<\/tr>\n
 <\/td>\nExentrick<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Cirque \u00c9loize<\/td>\nID \u00c9volution<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe G\u00e9ant 2023<\/em><\/td>\n<\/tr>\n
 <\/td>\nCirKopolis<\/em><\/td>\n<\/tr>\n
 <\/td>\nDaphnis et Chlo\u00e9<\/em> (Ev\u00e9nement OSM de Montr\u00e9al)<\/td>\n<\/tr>\n
 <\/td>\nSilencio<\/em> (Ev\u00e9nement \u00e0 Paris)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Les 7 doigts de la main<\/td>\nTryptique \u2013 Anne et Samuel<\/em><\/td>\n<\/tr>\n
.<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
Kyle Driggs<\/td>\nJonglerie<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
\n

FILMS<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
L’\u00e9quipe Spectra<\/td>\nAm\u00e9lia<\/em> (Edouard Lock)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Studio Max Films<\/td>\nLa turbulence des fluides<\/em> (Manon Briand)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
A & E<\/td>\nThe Lathe of Heaven<\/em> (Philip Haas)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Cin\u00e9quanon Films<\/td>\n\u00c9l\u00e9gie<\/em> (Bernar H\u00e9bert)<\/td>\n<\/tr>\n
 <\/td>\nEsquisse du nouveau monde<\/em><\/td>\n<\/tr>\n
 <\/td>\nLa nuit du d\u00e9luge<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe petit Mus\u00e9e V\u00e9lasquez<\/em><\/td>\n<\/tr>\n
 <\/td>\nLe collectionneur de gamme<\/em><\/td>\n<\/tr>\n
 <\/td>\nSanctum<\/em> (Lisa Cochrane)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

TH\u00c9\u00c2TRE<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Th\u00e9\u00e2tre Au c\u0153ur de la for\u00eat<\/td>\nL\u2019\u00e9trange songe d’une nuit d\u2019\u00e9t\u00e9<\/em><\/td>\n<\/tr>\n
 <\/td>\n(John Strasberg)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Monument National<\/td>\nMan Inc.<\/em> (Jacques Languirand)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Th\u00e9\u00e2tre de Quat-Sous<\/td>\nLes fleuves Profonds<\/em> (Jos\u00e9 Navas)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Tango Libre<\/td>\nVies Priv\u00e9es<\/em> (Louise Boisvert)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Vieux-Port de Montr\u00e9al<\/td>\nPied de Poule<\/em> (Marc Drouin)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

OP\u00c9RA<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Chants Libres<\/td>\nAlternate Vision<\/em> (Pauline Vaillancourt)<\/td>\n<\/tr>\n
 <\/td>\nL’Archange<\/em><\/td>\n<\/tr>\n
 <\/td>\nLuLu Le Chant souterrain<\/em> (Wajdi Mouad)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
\n

COM\u00c9DIE MUSICALE<\/strong><\/span><\/h3>\n<\/td>\n<\/tr>\n

Qu\u00e9becor <\/td>\n\u00c9vang\u00e9line<\/em> (Jean-Jacques Pillet) <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

MULTIM\u00c9DIA<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Pixel System inc<\/td>\nLe Pixman<\/em> (Daniel Langlois)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n <\/span><\/span>.<\/span><\/span> <\/span><\/span><\/td>\n<\/tr>\n
\n

MUSIQUE DU MONDE<\/strong><\/span><\/h3>\n<\/td>\n

\u00c9meline Michel<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

DESIGN ENVIRONNEMENTAL<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Insectarium de Montr\u00e9al<\/td>\nPapillons en Libert\u00e9 2013<\/em><\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

UNIFORMES<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Palais des Congr\u00e8s<\/td>\nD\u00e9veloppement d\u2019accessoires pour <\/td>\n<\/tr>\n
 <\/td>\nl\u2019uniforme corporatif<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Insectarium de Montr\u00e9al<\/td>\nPapillons en Libert\u00e9 2013<\/em><\/td>\n<\/tr>\n
 <\/td>\nPapillons en Libert\u00e9 2014<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

CONF\u00c9RENCES \u2013 COACHINGS<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Oxylane \u2013 D\u00e9cathlon France<\/td>\nCoaching de design Cie Tribord <\/td>\n<\/tr>\n
 <\/td>\n(Hendaye, France)<\/td>\n<\/tr>\n
 <\/td>\nConf\u00e9rence sur Cr\u00e9ativit\u00e9 et Innovation (Lille, France)<\/td>\n<\/tr>\n
 <\/td>\nCoaching de design Cie Domyos (Lille , France)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Groupe Desjardins<\/td>\nConf\u00e9rence (Montr\u00e9al)<\/td>\n<\/tr>\n
 <\/td>\nAtelier cr\u00e9atif           <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
Centre des Arts de Banff .<\/span> <\/span><\/td>\nAtelier cr\u00e9atif Designing for Dance<\/em> <\/td>\n<\/tr>\n
 <\/td>\n(Alberta)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

\u00c9V\u00c8NEMENTS<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
International Game Technology<\/td>\nAvatar<\/em> (Vegas)<\/td>\n<\/tr>\n
 <\/td>\nQuartermania<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Fivecurrents <\/td>\nBaku 2015 European Games (Azerba\u00efjan)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
FISU<\/td>\nJeux Mondiaux Universitaires du Lac <\/td>\n<\/tr>\n
 <\/td>\nPlacid 2023 (New York)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
 .<\/span><\/span> <\/span><\/td>\n .<\/span><\/span> <\/span><\/td>\n<\/tr>\n
\n

DISTINCTIONS<\/strong><\/span><\/h3>\n<\/td>\n

 <\/td>\n<\/tr>\n
Benois de la Danse<\/td>\nNomination – Meilleur Design de <\/td>\n<\/tr>\n
 <\/td>\nCostumes Alice in Wondeland<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Hong Kong Dance Awards<\/td>\nHong Kong Dance Awards Meilleur Design  <\/td>\n<\/tr>\n
 <\/td>\nde Costumes Alice in Wonderland<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Festival Mondial du Cirque de Demain<\/td>\nPrix du meilleur costume Roue Cyr (Festival de cirque Paris)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Metro DC Dance Award<\/td>\nPrix d\u2019excellence pour la cr\u00e9ation des <\/td>\n<\/tr>\n
 <\/td>\ncostumes du spectacle Journey Home<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Ev\u00e9nement INCA<\/td>\n1er prix du public pour une cr\u00e9ation en <\/td>\n<\/tr>\n
 <\/td>\ndirect sur le th\u00e8me Carnaval de Venise<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Prix G\u00e9nie<\/td>\nFinaliste pour les meilleurs costumes du <\/td>\n<\/tr>\n
 <\/td>\nfilm La nuit du d\u00e9luge<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Ev\u00e9nement INCA<\/td>\n1er prix pour une cr\u00e9ation en direct sur <\/td>\n<\/tr>\n
 <\/td>\nle th\u00e8me L\u2019Op\u00e9ra (Mme Butterfly)<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
Concours Elle-Qu\u00e9bec<\/td>\n1er prix du jury pour la cr\u00e9ation d\u2019une robe sur le th\u00e8me Une robe pour danser<\/em><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/span>\n","protected":false},"excerpt":{"rendered":"

Liste des r\u00e9alisations<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"yoast_head":"\nLiz Vandal - \u00c0 propos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lizvandal.com\/fr\/biographie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Liz Vandal - \u00c0 propos\" \/>\n<meta property=\"og:description\" content=\"Liste des r\u00e9alisations\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lizvandal.com\/fr\/biographie\/\" \/>\n<meta property=\"og:site_name\" content=\"Liz Vandal\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-12T20:57:26+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/lizvandal.com\/wp-content\/uploads\/2021\/06\/headshot.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lizvandal.com\/fr\/biographie\/\",\"url\":\"https:\/\/lizvandal.com\/fr\/biographie\/\",\"name\":\"Liz Vandal - \u00c0 propos\",\"isPartOf\":{\"@id\":\"https:\/\/lizvandal.com\/#website\"},\"datePublished\":\"2014-07-18T21:11:14+00:00\",\"dateModified\":\"2025-12-12T20:57:26+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/lizvandal.com\/fr\/biographie\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/lizvandal.com\/fr\/biographie\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/lizvandal.com\/fr\/biographie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/lizvandal.com\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00c0 propos\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/lizvandal.com\/#website\",\"url\":\"https:\/\/lizvandal.com\/\",\"name\":\"Liz Vandal\",\"description\":\"Design | Costumes | Art\",\"publisher\":{\"@id\":\"https:\/\/lizvandal.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/lizvandal.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/lizvandal.com\/#organization\",\"name\":\"Vandal Costumes\",\"url\":\"https:\/\/lizvandal.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/lizvandal.com\/#\/schema\/logo\/image\/\",\"url\":\"http:\/\/lizvandal.com\/wp-content\/uploads\/2014\/07\/logo-vandal-reg1.png\",\"contentUrl\":\"http:\/\/lizvandal.com\/wp-content\/uploads\/2014\/07\/logo-vandal-reg1.png\",\"width\":184,\"height\":75,\"caption\":\"Vandal Costumes\"},\"image\":{\"@id\":\"https:\/\/lizvandal.com\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Liz Vandal - \u00c0 propos","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/lizvandal.com\/fr\/biographie\/","og_locale":"fr_FR","og_type":"article","og_title":"Liz Vandal - \u00c0 propos","og_description":"Liste des r\u00e9alisations","og_url":"https:\/\/lizvandal.com\/fr\/biographie\/","og_site_name":"Liz Vandal","article_modified_time":"2025-12-12T20:57:26+00:00","og_image":[{"url":"http:\/\/lizvandal.com\/wp-content\/uploads\/2021\/06\/headshot.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/lizvandal.com\/fr\/biographie\/","url":"https:\/\/lizvandal.com\/fr\/biographie\/","name":"Liz Vandal - \u00c0 propos","isPartOf":{"@id":"https:\/\/lizvandal.com\/#website"},"datePublished":"2014-07-18T21:11:14+00:00","dateModified":"2025-12-12T20:57:26+00:00","breadcrumb":{"@id":"https:\/\/lizvandal.com\/fr\/biographie\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/lizvandal.com\/fr\/biographie\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/lizvandal.com\/fr\/biographie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/lizvandal.com\/fr\/"},{"@type":"ListItem","position":2,"name":"\u00c0 propos"}]},{"@type":"WebSite","@id":"https:\/\/lizvandal.com\/#website","url":"https:\/\/lizvandal.com\/","name":"Liz Vandal","description":"Design | Costumes | Art","publisher":{"@id":"https:\/\/lizvandal.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/lizvandal.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/lizvandal.com\/#organization","name":"Vandal Costumes","url":"https:\/\/lizvandal.com\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/lizvandal.com\/#\/schema\/logo\/image\/","url":"http:\/\/lizvandal.com\/wp-content\/uploads\/2014\/07\/logo-vandal-reg1.png","contentUrl":"http:\/\/lizvandal.com\/wp-content\/uploads\/2014\/07\/logo-vandal-reg1.png","width":184,"height":75,"caption":"Vandal Costumes"},"image":{"@id":"https:\/\/lizvandal.com\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/pages\/14"}],"collection":[{"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":129,"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1573,"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/pages\/14\/revisions\/1573"}],"wp:attachment":[{"href":"https:\/\/lizvandal.com\/fr\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}